Holding On to Ephemera

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The above is an image recently sent to me by a talented and genuine soul of the Northwest. He holds in his friendly hand an accomplishment of mine from 2006, Haiku Composed on an English Tour. It is the only self-published volume of poetry which I have arranged, printed and hand-sewed together. As a little bit of millennial ephemera, the chapbook exemplifies the DIY publishing ethos that seeped into my young blood in my first few years out of high school.

At the time I met my friend Mark, I was living in the liberal atmosphere of Portland, Oregon and attending an arts school. Though poetry had been my primary creative medium since I was 13, I intended to study photography and soon after printmaking at the Pacific Northwest College of Art. In the above chapbook, Mark’s copy being only one of a proposed 50 copies, drawings and clippings from maps I used while on a solo bicycle tour through England & Wales accompany the haiku which I wrote at the end of my days’ journeys. I had left PNCA and was embarking on a new chapter of my life altogether, and Haiku was the symbolic result of this period.

I am thankful to Mark for sending me this photo, quite unexpectedly, as he was searching through an old portfolio at home. Discoveries like these can become in a moment the unexpected blessing and reminder to the giver of such cherished and beholden ephemera. That friends keep and hold on to the little pieces of creativity that unknowingly become a benchmark for their personal history is affirmation enough that efforts are worth their short suffering and the support of friends is invaluable help to complete their work.

Holding On to Ephemera