Holding On to Ephemera

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The above is an image recently sent to me by a talented and genuine soul of the Northwest. He holds in his friendly hand an accomplishment of mine from 2006, Haiku Composed on an English Tour. It is the only self-published volume of poetry which I have arranged, printed and hand-sewed together. As a little bit of millennial ephemera, the chapbook exemplifies the DIY publishing ethos that seeped into my young blood in my first few years out of high school.

At the time I met my friend Mark, I was living in the liberal atmosphere of Portland, Oregon and attending an arts school. Though poetry had been my primary creative medium since I was 13, I intended to study photography and soon after printmaking at the Pacific Northwest College of Art. In the above chapbook, Mark’s copy being only one of a proposed 50 copies, drawings and clippings from maps I used while on a solo bicycle tour through England & Wales accompany the haiku which I wrote at the end of my days’ journeys. I had left PNCA and was embarking on a new chapter of my life altogether, and Haiku was the symbolic result of this period.

I am thankful to Mark for sending me this photo, quite unexpectedly, as he was searching through an old portfolio at home. Discoveries like these can become in a moment the unexpected blessing and reminder to the giver of such cherished and beholden ephemera. That friends keep and hold on to the little pieces of creativity that unknowingly become a benchmark for their personal history is affirmation enough that efforts are worth their short suffering and the support of friends is invaluable help to complete their work.

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Holding On to Ephemera

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